Vintage Instruments can usually be dated by serial number. Trombones will have the serial number either on the back of the hand slide or on the neck receiver where it attaches to the handslide. Sometimes the serial number will be on both the handslide and the neck receiver. Vintage King Trombones, H. White Era will often have the serial number on the tuning slide, but not always. Conn before Handslide Tennon below threads, outer handslide lower outer tube at the top in back , No serial on Bell section, but model number is on bell. Neck Receiver, Earlier models also tuning slide.
Evolved into current series. Some contract-manufactured by Kanstul, USA. Bells had distinctive engraving; available either lacquered or in burnished silver plate.
Use the trombone's serial number to help identify the model number. Regardless of your trombone's manufacturer, the serial number should be located on the piece of metal where the slide attaches to the rest of the instrument (Reference 2). Knowing your trombone's serial number can help you identify the year your instrument was made. King and.
Now sold as series. Sessionaire A collection of top-line professional jazz trumpets and trombones, according to Stewart Stunell. He says they have "a neat caliper tuning slide mechanism". Charles Gerard Conn started manufacturing brass instruments in Elkhart, Indiana, during the s, and his company proved to be a great success.
During his stewardship also, many instrument models and various innovations were introduced some of which are still around today, eg the system of numbers and letters for designating instrument models, vocabells rimless bellsthe renown Conn 88H series it is rumoured that Vincent Bach modelled his famous Stradivarius 42 trombones on the 88H.
Conn trombones of this fabled era have a legendary reputation amongst the classical musicians and instruments manufactured in the s and 60s are particularly prized by collectors. Inthe Greenleaf family sold the company to the MacMillan Company, a publisher of books. The years under MacMillan ownership were something of a disaster, a dark age for Conn. However, MacMillan failed to appreciate that instrument manufacture is a labour-intensive process requiring a skilled workforce not to be found in Abilene.
The first few years in Abilene were essentially learning ones for the new staff, and hence quality of output was very variable. Generally, Abilene-produced instruments have a poor reputation, although it is possible to find examples of good quality. Amongst his achievements were to bring the company back to Elkhart and the purchase of King Musical Instruments. The Abilene plant was closed the following year and production of Conn-badged instruments moved to Eastlake, Ohio, where King instruments were being made.
Both King and Conn instruments produced in the following decade are generally considered by enthusiasts to be ordinary in terms of quality and character. In the late s, however, UMI has made great strides in improving its manufacture of instruments. It also appears that Conn may be reintroducing or improving old Conn favourites, eg the 62H. Note: Older Conn trombones had Remington-style leadpipes which will only accept mouthpieces with Remington shanks.
Newer instruments and retrofitted older instruments have leadpipes with a Bach-style Morse taper and hence will accept modern mouthpieces with standard shanks. Gordon Cherry has very kindly given permission for his Conn trombone serial number list to be reproduced on this site.
He wasn't sure of the dates for Cavaliers, but Pan American production apparently ran from around to and the Pan American serial numbers don't mesh with the Conn serial number list no source that correlates Pan American serial numbers with production dates is known. The Pan Americans he saw were all small straight tenors with. There was a basic model sometimes called a 64H, and a more deluxe model with nickel trim termed the 68H.
Both were reportedly modelled on the 4H professional-grade trombone. High and low pitch. Small-bore, favoured for jazz, often compared with King 2B. Small-bore, favoured for jazz, comparable to but brighter than King 3B.
Discontinued ? The "new" 78H model introduced in the s ie the model number reused was essentially a 7H with F attachment. Information about the 7H was kindly provided by Don Bilger. According to the Conn Loyalist listthis was a? Large Bore Symphony from Bore Alloo Model fromand a?
Bore Alloo Model from Bore Alloo Model high and low pitch from Small-bore, comparable to but brighter than King 3B. Lightweight slide, bell may be nickel-plated. Medium-bore, student model. This instrument was in continuous production from the Elkhart era throughout all the changes of company ownership, only being discontinued recently one or two years ago to make way for UMI's new 52H a. Information about the 50H was kindly provided by Don Bilger. Bass trombone.
Between an Olds obviously saw great importance in developing their newest and most modern trombone line. These were depression years, and yet, they continued to increase production. Likewise, the Super Olds trumpets and cornets are introduced at this time and by , the famous Super Olds Recording Model appears. Dating Brooch Fasteners - to By Mark Chervenka. One of the best ways to avoid reproductions and fakes is to know and understand how originals are made. Reproductions are rarely made the same as originals due to changes in materials, labor costs and modern production techniques. When looking at brooches. The "real" FE Olds shut up shop in or thereabouts. Vintage models like the Recording and Super manufactured in California during the heyday of the company remain highly-prized even today. Established circa in Los Angeles , initial Olds trombone models all had in-slide tuning. Bell-tuning models were introduced in the s.
Very highly-regarded. A number were converted to open wrap by the legendary Larry Minick. Tuning in the slide.
HOW TO MAKE
Very highly-regarded - favoured by the legendary George Roberts. Elkart era instrument was medium-bore, professional model, yellow brass bell. Discontinued shortly after Conn was purchased by CCM. In the s, a new 78H model was introduced ie the model number reused which was essentially a 7H with F attachment.
Olds Trombone and Sequin Tube Top
These were possibly cloned subsequently by Blessing as their B-7 and B models. Information about the 78H was kindly provided by Don Bilger. Information about the 79H was kindly provided by Don Bilger. Essentially an 88H with a larger bell and dual bore slide, played by George Roberts in the later stages of his career.
Many years ago, Holton bass trombones were once regarded as amongst the very finest instruments you could buy and so were highly sought after.
Gordon Cherry has very kindly given permission for his Holton trombone serial number list to be reproduced on this site. Bass, 9.
Dating olds trombone
Said to have been designed by the legendary Edward Kleinhammer, based on his Bach 50B. A very highly-revered instrument. Production ceased sometime in '60s. Designed by Lewis van Haney. Well regarded, but nowhere nearly as highly as its predecessor, the TR Throat of bell, leadpipe and gooseneck are said to be tighter than that of the TR Customised version with different leadpipe played by George Roberts.
Henderson N White ran an instrument repair shop in Cleveland, Ohio, in the late 19th century. He became friends with Thomas King, a leading trombonist, and the two men collaborated to produce a trombone with superior slide action and tone quality.
White named the model "King", and the instrument proved a great success. The HN White company continued to develop new trombone models and gained an outstanding reputation for quality and innovation. The company was reputed to have pioneered sterling silver bells. Today, King SilverSonic instruments continue to be highly sought after.
Henderson White passed away inand his wife took over the running of his company for the next 25 years. The company flourished under her direction, and inopened a new factory in Eastlake, Ohio.
When Mrs White retired inthe company was sold to a group of investors who sold it on to The Seeburg Corporation then a major electronics manufacturer.
Click on an image below for the story. Olds History by R. Dale Olson. Olds Trumpet and Cornet Serial Numbers. Olds Catalogs, to Early Olds Trombones. Trombone Made for Wilbur DeParis, Early s. Early Olds Trumpets. Early Olds Cornet. July 13th, production ceased (A). A Superstar Trombone was reported sold as part of a closeout with SN# A; An Olds Standard trumpet has been reported which falls out of the sequence with serial and accompanied by a payment book from Sources: Music Trader Alan's Trumper World. Trombone clasps, also sometimes referenced as push-pull safety clasps, were used on European jewelry beginning in the s. Most are seen on French pieces or jewelry made elsewhere, like in Czechoslovakia, and imported into France.
InKing was sold to its current owners, UMI, who appear to be positioning the King marque as their jazz line with Conn as their "symphonic" line. The s to the s are considered to be vintage years for King trombones. Consensus is that quality dipped between from the s thru the late s or early s, although well-made examples from that era can be found.
According to Agard, the last trumpets being in the 68, range while trombones in the 48, range. This does not agree with the published serial number records, which indicate that they reached 90, in February an in October I don't know how to reconcile these accounts so I'll just present them as data collected.
Vintage Trombone Serial Number List Guide
For trombones, the uncertainty for horns prior towould be substantially greater. Note that discovery of a trombone with a serial number between 48, an would disprove the Agard account. I don't have evidence that such a trombone exists but I haven't really looked hard for it since my focus has been on trumpets and cornets. That suggests that trombone serial numbers went higher than previously thought before the merger of trombones and trumpet into a single serial number sequence.
Jan an Olds Super trombone was seen on with a serial number of 54, This doesn't completely disprove the Agard account but at least it means trombones went at least to 54, before the merger Agard describes. The catalog indicates that 6" to 8" bells and the usual variety of bores were available in this model. This is a three dimensional model of the trombone playing bear that had been engraved on the trombone bells since the mids.
Both the bear counter weight and fluted slides are also seen on Standard model trombones from this era, although not illustrated in the catalog. The red brass alloy of the bell flare appears to be the same but has thicker walls, allowing for the typically heavy engraving in the more conventional position. The model name is not indicated in the engraving and so for the years that I have owned it until now, I thought that it was some custom ordered variant of the Standard Self Balancing trombone.
The serial numbers are and 10, An earlier example has been reported to me with a serial number below I would think that there must be a year or more between the production of these two trombones. The next photo is serial number 11, and in almost every way typical of early Olds Super trombones with the narrow tone band. It is extremely well preserved and engraved on the tone band, along with the usual lettering and decoration is "R.
Olds" for Reginald Birdsall Olds. This is another case where the engraving is the only connection to a specific history.
Note that discovery of a trombone with a serial number between 48, an would disprove the Agard account. I don't have evidence that such a trombone exists but I haven't really looked hard for it since my focus has been on trumpets and cornets. ATE: I now have a report of an Olds Recording trombone s/n 56, Jan 30, Vintage Instruments can usually be dated by serial number. Trombones will have the serial number either on the back of the hand slide or on the neck receiver where it attaches to the handslide. Sometimes the serial number will be on both the handslide and the neck receiver. Vintage King Trombones, H.N. White Era will often have the serial number on the tuning . While there are unverified stories dating the trombone back to the Spartans in B.C., the first authenticated trombone arrived in the 14th century with the first use of the tuning slide. (The trombone slide is simply an elongated, easily operated tuning slide.) Until the origin Olds trombone patents of
We can safely assume that this trombone belonged to Reg Olds personally, but beyond that we must speculate. Reg was not known to be a trombone player and it seems unlikely that he spent time between tennis, golf and ski trips to practice one.